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Completion of the primary Hooking on Urban Icons

11/24/2019

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Urban Icons is intended to be a thought provoking look at mental illness and homelessness — hopefully encouraging another way of viewing this ubiquitous yet marginalized segment of society. Completion of the initial hooking of this 60" x 50" piece is followed by intensive tweaking of the faces. This may consist of some reverse hooking and re-hooking. Most certainly a lot of trimming away of stray loops and ends takes place during this part of the process. I will work and re-work areas of the rug from the right to the left. Photos of one of the areas that I found in need of a major overhaul follow.
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I will continue to trim and begin embellishing at this point in the completion of this project. I still have a LOT to do!
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I stitched on little metal Milagros of angels and saints to the halo around this urban icon. Milagro means miracle in Spanish, and in Mexican folk tradition often small metal votive offerings.
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At this stage of the creation of Urban Icons, I am re-energized as I begin to add layers of interest to the piece by stitching elements on top of the hooking. I will work this piece much like a collage and just add layers of metal, fabric and found objects to the surface.
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Getting Back to Work on Urban Icons

11/24/2019

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Urban Icons has been languishing unattended or amended for many months while I was otherwise busy with teaching, the ATHA Biennial and the 20th anniversary of the McGown Workshop that I direct. NOW, that all of those things are completed I am able to get down to some serious business on this fiber art piece. It has been on my mind and I have been able to mentally try out some of the changes I needed to make. The first photo below will show the rug as I left it nearly a year ago.
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IN the next rendition you can see that I had begun to hook and sculpt the faces around the perimeter.
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You can see the progression of sculpting from the initial hooking long loops then cutting away to reveal a face in relief.
The next photos show more of that technique.
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The loops are SO long you are unable to distinguish the facial features until I begin trimming the excess away.
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Once the trimming begins then the features flesh out of that subtractive process.
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    Author

    I am a fiber artist and sculptor living in sunny, Tennessee.  I have a home studio where I dye and sell gorgeous wool fabric. 

    Teaching rug hooking, sculpting and how to dye wool are some  of my favorite things to do!

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